The Samuel LeHenanff Quartet is inspired by the traditional music of Brittany, France, infused with a mosaic of influences ranging from Latin to Flamenco with a hint of jazz touched off with blues. Their original arrangements offer a refreshing, contemporary and energetic take on traditional Breton dance music. LeHenanff, a fixture on the Breton music scene, is at ease on the accordion playing Breton or Irish music, whether on stage in Paris, New York or Brittany.

The Samuel LeHenanff Quartet is inspired by the traditional music of Brittany, France, infused with a mosaic of influences ranging from Latin to Flamenco with a hint of jazz touched off with blues. Their original arrangements offer a refreshing, contemporary and energetic take on traditional Breton dance music. LeHenanff, a fixture on the Breton music scene, is at ease on the accordion playing Breton or Irish music, whether on stage in Paris, New York or Brittany.

The Samuel LeHenanff Quartet is inspired by the traditional music of Brittany, France, infused with a mosaic of influences ranging from Latin to Flamenco with a hint of jazz touched off with blues. Their original arrangements offer a refreshing, contemporary and energetic take on traditional Breton dance music. LeHenanff, a fixture on the Breton music scene, is at ease on the accordion playing Breton or Irish music, whether on stage in Paris, New York or Brittany.

Joy Kills Sorrow combines the virtuoso musicianship of traditional bluegrass with songwriting that touches on contemporary life and love with humor, intelligence and wit. The bold, young, Boston-based string band keeps a foot firmly planted in bluegrass roots—the band's name is a play on the call letters of the Indiana radio station that broadcast the Monroe Brothers in the 1930s—while the quintet's influences from the worlds of jazz, pop, swing and rock are clearly felt in its polished arrangements.

Scottish-born Canadian David Francey is recognized as one of today’s finest singer-songwriters. A three-time JUNO Award winner, Francey's wry humor and astute observations, combined with his openhearted singing style, have earned him a loyal following. The Toronto Star called him "one of Canada's most revered folk poets and singers… [His songs] are small and beautifully crafted pieces of work that have made Francey both a folk festival favorite and something of a latter-day Canadian poet laureate." The evening will start with a live on-stage interview with Tom by Art of the Song hosts John Dillian and Vivian Nesbitt.

Birds of Chicago is a collective based around JT Nero (JT and the Clouds) and Allison Russell (Po' Girl), who have emerged as two of the most compelling new voices in North American Roots music. Nero's fractured country-soul voice wrapped in Russell's silver and gold tones is a fine thing. Not too perfect, not at all saccharine, you'll hear echoes of mountain gospel, street corner doo-wop, and classic soul.

It has always seemed as if there were two Cheryl Wheelers, with fans of the New England songwriter relishing watching the two tussle for control of the mic. There is poet-Cheryl, writer of some of the prettiest, most alluring and intelligent ballads on the modern folk scene. And there is her evil twin, comic-Cheryl, a militant trend defier and savagely funny social critic. The result is a delightful contrast between poet and comic. Her deceptively plain-spun songs have been hits for such mainstream stars as Suzy Bogguss ("Aces") and Dan Seals ("Addicted"), and have been recorded by everyone from Bette Midler, Maura O’Connell, Peter Paul and Mary, Juice Newton, and Garth Brooks. When it is comic-Cheryl’s turn, the poet simply turns over the mic and allows the comic to be displayed in her native habitat: the stage.

Reaching into their individual roots of bluegrass, jazz, Scandinavian, old-time American and both western and Indian classical music, Sandra Wong, Dominick Leslie and Ty Burhoe honor each tradition while moving into new, uncharted territory. Whether it’s old-time tunes in 7, Bach on nyckelharpa, mandolin and tabla, Swedish tunes from hundreds of years ago brought into a 21st century arrangement or Shakti revisited, Sandra, Dom and Ty create a musical playground for everyone (both musicians and listeners) to explore, play, stretch, and grow in a joyful space.
The library shows will feature the duo of Sandra Wong & Ty Burhoe. Join us at the Outpost for a performance by the full trio.

The Sandra Wong Trio creates a unique and highly pleasing musical experience by drawing from several musical traditions: classical, Indian, bluegrass, jazz, Scandinavian and old-time American. The trio also performs original compositions. Come along on a journey through different styles of music spanning across the globe.
The library shows will feature the duo of Sandra Wong & Ty Burhoe. Join us at the Outpost for a performance by the full trio.

Sandra Wong, Dominick Leslie and Ty Burhoe come together in an unusual trio combination of nyckelharpa/fiddle, mandolin and tabla/world percussion to explore music from all corners of the globe, including their own compositions. Reaching into their individual roots of bluegrass, jazz, Scandinavian, old-time American and both western and Indian classical music, their arrangements honor each tradition while moving into new, uncharted territory.

Emmylou Harris first heard Rodney Crowell's music 40 years ago when her producer, Brian Ahern, played her a demo recording of one of Crowell's songs: "Bluebird Wine." "From that first bar of music, I just knew. It was the bomb," recollects Harris. Crowell went on to become rhythm guitarist and harmony singer in her now legendary Hot Band before embarking on a solo career. The two old friends have just released their first duets album, "Old Yellow Moon," described by American Songwriter magazine as "sublime... If you’re a fan of either of these musicians, you’ll delight in this classy collaboration." Singer-songwriter and mandolin/banjo prodigy Sarah Jarosz will open the show.

Richard Thompson's long-acclaimed guitar work—piercing, delicate, often both at once—has earned him a Top 20 spot on Rolling Stone's list of Best Guitarists of All Time, as well as MOJO magazine’s Les Paul Award and the 2012 Americana Music Association's Lifetime Achievement Award, presented to him by Bonnie Raitt. He is also the recipient of the Order of the British Empire (OBE), bestowed upon him by Queen Elizabeth for service to music. His latest album, "Electric," has been praised for its "power, poignancy and point of view... Forty-five years into a versatile and incomparable career, he still writes songs that sting and storm." (NPR)

Often referred to as "The Hendrix of the Sahara," Vieux Farka Toure is the son of legendary Malian guitar player Ali Farka Toure, who died in 2006. While remaining true to the roots of his father’s music, he uses elements of rock, Latin music, and other African influences. With each new project, Vieux expands his horizons, embraces new challenges and further entrenches his reputation as one of the world’s most talented and innovative musicians.

Ian Cooke makes art for your ears using his cello and voice as core instruments for songwriting. Components of his style are pulled from classical music, pop, folk, avant-garde, world music, and jazz. Cooke’s recordings also employ piano and percussion. The piano was his first instrument, which he began playing at age 5, and picked up the cello at age 11. Paying special attention to innovative meter, chord progression, and melody, the Denver-based musician breeds a truly original and moving type of music.

Spin magazine described Denver-based musician Ian Cooke as "a one-man chamber ensemble... [he] specializes in forlorn folk built on cello-heavy arrangements and vocals that mimic his instrument's mournful modulations. His music has got its freakier moments, but Cooke's ambitious complex compositions mark him as kindred spirit to Sufjan Stevens and Joanna Newsom." He has toured Australia and the U.S. playing with Rasputina, the Decemberists, and many more.

Held in Mali for over a decade, The Festival au Desert has been cancelled as a result of civil war in that country. So, in 2013, instead of congregating in the Sahara, Mali will be coming to the world. From soulful Malian Blues, to traditional trance-like nomadic music, to the intense, electric, modern sound of the Malian desert, this concert will be a stunning example of culture in motion, and an unforgettable opening for the 10th Annual International Folk Art Market. The featured performers are Mamadou Kelly, Tartit and Imharhan.

The Cuban band TradiSon specializes in the musical form son, a combination of Afro-Cuban rhythms and Spanish melody. The group was formed with the goal of presenting the best Cuban musical roots, incluing guaracha, guajira, bolero and more. TradiSon are the heirs to the mantle of the Buena Social Club, playing traditional music from the 30s and 40s.

Fanfare Ciocarlia, "The Legends of Gypsy Brass," are one of the world's greatest live bands, their energy and ingenuity having won them fans from Melbourne to Memphis, Tokyo to Toulouse. Having learned their craft at the feet of their fathers and grandfathers, Fanfare's members proudly approach every concert as a challenge to both entertain audiences and keep the true spirit of Gypsy music alive.

Harmoniously fusing traditional rhythms and songs with a modern flair, Mala Maña uses music as a medium for healing, empowerment, and entertainment. Mala Maña is built upon a deep love and respect for music and each other, with a shared passion for social truths and justice.

Mala Maña, Albuquerque's own all-female voice and percussion ensemble, fuses contemporary and traditional rhythyms of the African diaspora. Much of their focus is in Latin American music; however, they encompass influences of all the Americas. Performing original as well as traditional songs, their sound is inspiring and unforgettable.

Steve Poltz is one of the most beloved songwriters of his generation. His music—as both a solo artist and with cult legends The Rugburns—has enjoyed long stretches in the Billboard top ten, gobbled up acres of mainstream radio and appeared in scores of television shows, commercials and movies. He has collaborated with everyone from Jewel to Glenn Tillbrook to Mojo Nixon, and his legendary live show has earned him a ferocious global fan base that makes soccer hooligans seem coquettish and reserved.

Tom Russell is best known as a folk and country singer with a personal storytelling approach to his songwriting, but his past is checkered with interesting events that defy his country music roots, including his receiving a degree in criminology, teaching school in Nigeria, and playing music for a Puerto Rican circus. His latest album, "Mesabi," corrals some of his most compelling tales to date. A thread runs through its songs, a zigzagging but determinedly solid line that connects the perilous bordertown of Juarez, Mexico to the real and faux glitz of L.A. and the bleak iron range of Minnesota—the Mesabi of the album's title.

¡Globalquerque! takes over the whole campus of the National Hispanic Cultural Center on September 20 and 21! Each night features three stages of artists from around the world. And don't forget the free Global Fiesta on Saturday from 10:30 AM-4 PM!

¡Globalquerque! takes over the whole campus of the National Hispanic Cultural Center on September 20 and 21! Each night features three stages of artists from around the world. And don't forget the free Global Fiesta on Saturday from 10:30 AM-4 PM!

Te Amo, Argentina is an exotic audio-visual journey that draws audiences into the heart of Argentina and its fascinating, diverse culture. This multi-media performance features music from the Latin Grammy award-winning album Antonio Lysy at the Broad – Music from Argentina. From the Amerindian rhythms of the Andes Mountains, the the city-street cafés of Buenos Aires, the combination of music and dance performances weaves together a pulsating and inspiring homage to Argentina (Te Amo, Argentina means "I Love You, Argentina"). Using Antonio Lysy's autobiographical experiences as the backbone for the show's story arc, Te Amo, Argentina sends the audience on an audio-visual journey though the beloved cultural legacy of Argentina.

America's famed comedy troupe, The Second City, is coming to town with The Best of The Second City. From the company that launched the careers of Tina Fey, Stephen Colbert, Steve Carell, Gilda Radner, Bill Murray and more, comes the next generation of the comedy world’s best and brightest in an evening of hilarious sketch comedy and Second City’s trademark improvisation. Whether it's ripped from the morning headlines or a classic gem from their 50-year archives, The Second City is always a laugh out loud hit.

In their fifteen years together as a band, celebrated Los Angeles culture-mashers Ozomatli have gone from being hometown heroes to being named U.S. State Department Cultural Ambassadors. Their music—a notorious urban-Latino-and-beyond collision of hip hop and salsa, dancehall and cumbia, samba and funk, merengue and comparsa, East L.A. R&B and New Orleans second line, Jamaican ragga and Indian raga—has long followed a key mantra: it will take you around the world by taking you around L.A.

This concert is being held as part of La Cosecha Dual Language Conference and will help raise money for Dual Language Education of New Mexico's scholarship fund.

Three years after stepping away from a full-time music career to attend graduate school, Vienna Teng returns with a new sound and a new approach to songwriting and recording. What emerged from that process is her most uptempo, pop-influenced album yet—and full of surprises, even to its creators. "This album is rekindling my love affair with music, and with the world, really,” says Teng. The evening will start with a live on-stage interview with Tom by Art of the Song hosts John Dillian and Vivian Nesbitt.

Carlos Núñez is one of Galicia’s most revered artists, undisputed as the tradition’s greatest piper. He is well known in Irish music circles, thanks to his early "adoption" by The Chieftains (so close was his musical and personal connection he was dubbed "The Seventh Chieftain"). Núñez’s music draws on influences that range from ancient and contemporary Celtic (with a unique Spanish swing) to Medieval and Baroque, and also borrows from the sounds and styles of the places where Galicians have settled, including Cuba, Brazil, Argentina, even the United States.