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Eddie 9V
August 3rdUNM Jarocho Ensemble
August 4thLiz Howdy, Stella Martinez, Cee Mo
August 7thShae Fiol & Andrea Magee
August 8thLuke Bulla
August 9thElovated Roots
August 10thKevin Fedarko - SOLD OUT!
August 12thWailing Souls
August 15thMac Sabbath
August 17thMike Dawes
August 18thMike Dawes
August 19thJD Simo
August 20thAndrea Magee's She Rises
August 31stLas Flores del Valle
September 1stMary Gauthier
September 4thJ2B2
September 5thTab Benoit
September 10thBlack Uhuru
September 12thAlejandro Brittes
September 20thExtravaganza on Museum Hill
September 21stJoe Boyd
September 24thJoe Boyd
September 25thMaryna Krut
September 27th3 On A Match Kabarett
September 28thMaryna Krut
September 29thAl Di Meola
October 2ndThird World
October 3rdThe Tannahill Weavers
October 3rdCeú
October 8thJoe P
October 9thThe Bones of JR Jones
October 10thMasters of Hawaiian Music
October 11thMasters of Hawaiian Music
October 12thBuckethead
October 12thPeter Bradley Adams
October 16thPeter Bradley Adams
October 17thIndigenous Heritage Celebration featuring Innastate
October 19thKassa Overall
October 26thKassa Overall
October 27thCimafunk
October 30thArkansauce
November 7thKristina Jacobsen
November 17thTopHouse
November 21stKalos
January 15thKalos
January 16thJesse Cook
February 2ndJesse Cook
February 3rdAltan
March 12thLúnasa
March 18thJohn Paul White
Carson McHone
Add to Cal
Tickets are $21 in advance, $25 day of show (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
Beulah.
It's a small, complicated word with a tangle of meanings.
It's the title of John Paul White's latest album, his first in nearly a decade, a remarkably and assuredly diverse collection spanning plaintive folk balladry, swampy southern rock, lonesome campfire songs, and dark acoustic pop. Gothic and ambitious, with a rustic, lived-in sound, it's a meditation on love curdling into its opposite, on recrimination defining relationships, on hope finally filtering through doubt.
Beulah is also a White family nickname. "It's a term of endearment around our house," White explains, "like you would call someone 'Honey.' My dad used to call my little sister Beulah, and I call my daughter Beulah. It's something I've always been around."
According to White, the songs came to him unbidden—and not entirely welcome. "When these songs started popping into my head, I had been home for a while and I was perfectly happy. I wasn't looking for songs. I didn't know whether any would pop back in my head again, and I was honestly okay with that. I'm a very happy father and husband, and I love where I live. I love working with artists for a label that I think is doing good work."
Far from the grind and glamour of Nashville—where he worked for years as a working songwriter before stepping into the spotlight himself—White settled in his hometown of Muscle Shoals, Alabama, a wellspring of gritty Southern rock and soul since the 1960s. Together with Alabama Shakes keyboard player Ben Tanner and Shoals native Will Trapp, he founded and runs Single Lock Records, a local indie label that has released records by some of the Yellowhammer State's finest, including Dylan LeBlanc, St. Paul & the Broken Bones, and legendary songwriter and keyboard player Donnie Fritts. The label is based in a small ranch house a stone's throw from White's own home, which would come in handy when those songs started invading his head.
Years before Rolling Stone was praising Carson McHone's rule-breaking roots music, the Austin, Texas native played weeknights in local bars like The White Horse, keeping dancers dancing and drinkers drinking. With her 21st birthday still in the distance, McHone entertained late-night crowds bearing witness to the good times and bad decisions that fill a busy bar. It was a rare, raw education. She pumped her music full of details from an early adulthood spent in the company of the heartbroken and high-toleranced. In 2015, McHone released Goodluck Man, which earned her a cover story in the Austin Chronicle as well as the support of local icons like Ray Wylie Hubbard, who said she "writes songs like her life depends on it." Then she hit the road, touring the U.S. (and beyond). Her writing style widened and her music evolved. Dark, driving, and evocative, 2018's Carousel captures this period of remarkable growth, shining a light not only on McHone's honky-tonk roots, but on her development as a modern, alt-country storyteller.