AMP Concerts offers innovative and inspiring arts programming throughout New Mexico. A portion of all AMP ticket sales goes to fund free community concerts, workshops, school programs & artist residencies.
Don't Miss Any Concerts! Subscribe to our mailing list
Like Us

AMP Radio

Sponsors
City of Albuquerque NM Arts New Mexico Music Commission Creative West NEA Tourism Grant Recipient iHeart Media Santa Fe Brewing Company KUNM Marriott Albuquerque

Upcoming

Khumariyaan

July 8th

Khumariyaan

July 9th

Khumariyaan

July 10th

Telmary

July 12th

Ally Venable

July 15th

Flor de Toloache

July 16th

Flor de Toloache

July 17th

Oscar Butler

July 23rd

Innastate

July 26th

Green Tara Puja

July 29th

Arkansauce

August 1st

Mark Hummel

August 2nd

Mark Hummel

August 3rd

Luke Bulla

August 7th

Luke Bulla

August 9th

7Horse

August 9th

Raul Midón

August 13th

Raul Midón

August 14th

The WesternHers

August 23rd

Thievery Corporation

September 3rd

Tab Benoit

September 9th

Tab Benoit

September 10th

Coco Montoya

September 19th

Coco Montoya

September 20th

John Moreland

September 26th

J2B2

September 26th

Lasotras

September 27th

Shonen Knife

October 11th

Hayden Pedigo

October 22nd

Kurbasy

November 8th

Kurbasy

November 9th

Luca Stricagnoli

November 21st

Ryanhood

November 29th

Ryanhood

November 30th
AMP Concerts and Meow Wolf present

Kurt Vile and the Violators - SOLD OUT

The Sadies

at Meow Wolf
1352 Rufina Circle
Santa Fe NM 87507
Other Events at Meow Wolf

Time: 8:00pm     Day: Wednesday     Doors: 7:00pm     Ages: All Ages    
This Event Has Ended

Tickets are $33 in advance, $38 day of show (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.

This is a standing room only show. There are no seats at Meow Wolf.

Travel can inspire in surprising ways: Kurt Vile discovered as much making his first record in three years, the eclectic and electrifying Bottle It In, which he recorded at various studios around the country over two very busy years, during sessions that usually punctuated the ends of long tours or family road trips. Every song, whether it's a concise and catchy pop composition or a sprawling guitar epic, becomes a journey unto itself, taking unexpected detours, circuitous melodic avenues, or open-highway solos. If Vile has become something of a rock guitar god—a mantle he would dismiss out of humility but also out of a desire to keep getting better, to continue absorbing new music, new sounds, new ideas—it's due to his precise, witty playing style, which turns every riff and rhythm into points on a map and takes the scenic route from one to the next.

Using past albums as points of departure, Bottle It In heads off in new directions, pushing at the edges of the map into unexplored territory: Here be monster jams. These songs show an artist who is still evolving and growing: a songwriter who, like his hero John Prine, can make you laugh and break your heart, often in the same line, as well as a vocalist who essentially rewrites those songs whenever he sings them in his wise, laconic jive-talkin' drawl. These journeys took Vile more than two years to navigate, during which time he toured behind his breakout 2015 album b'lieve I'm goin' down, recorded a duets album with Australian singer-songwriter-guitarist Courtney Barnett, opened for Neil Young in front of 90,000 people in Quebec, famously became a clue on "Jeopardy," hung out with friends, took vacations with his wife and daughters.

Given all of their associations and tireless touring regimen, it can seem at times as if The Sadies are everywhere, all the time. Yet, they are a band that fans cling to like a closely guarded secret, with each new release fulfilling the promise to reach further. With their latest album, Northern Passages, the time has come to make room for more on this wild acid-folk-country-punk trip.

The Sadies first exploded onto the North American scene 20 years ago. Back then there was still something called "alt-country," a catchall for artists striving to carry on traditions with punk rock attitude. The Sadies certainly fit that description, but the breadth of their skills and musical knowledge was unparalleled since a group of fellow Torontonians left Ronnie Hawkins in the mid-'60s to take a job backing Bob Dylan.


AMP Concerts