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Brian Culbertson
March 22ndFlor de Toloache
April 1stFlor de Toloache
April 2ndMargo Cilker
April 2ndFlor de Toloache
April 3rdTinsley Ellis
April 9thA Word with Writers: Hampton Sides
April 10thTom Paxton with C. Daniel Boling
April 11thThe Wailers
April 12thTom Paxton with C. Daniel Boling
April 12thTom Paxton with C. Daniel Boling
April 13thCocoRosie
April 14thCocoRosie
April 15thSalman Rushdie
April 16thDamn Tall Buildings
April 17thDamn Tall Buildings
April 18thSanta Fe Reads Kick-Off Concert
April 20thSihasin & Lindy Vision
May 4thThe Kipsies
May 9thJason Joshua
May 9thJake Shimabukuro
May 10thThe Kipsies
May 11thJake Shimabukuro
May 11thMariee Siou
May 12thKiran Ahluwalia
May 12thKiran Ahluwalia
May 13thMike Zito
May 14thEtana
May 15thEtana
May 16thThe Sadies
May 30thChristopher Paul Stelling
June 6thChristopher Paul Stelling
June 7thJesse Dayton
June 8thLara Manzanares
June 13thRev. Peyton's Big Damn Band
June 19thFelix Gato Peralta
June 20thFelix Y Los Gatos
July 17thLara Manzanares
July 24thWailing Souls
August 15thAndrea Magee's She Rises
August 31stBlack Uhuru
September 12thKim Richey
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This show has been moved from Gig Performance Space to San Miguel Chapel. All original tickets will be honored.
Tickets are $25 in advance, $27 day of show (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
Kim Richey is a traveler. Musically, physically, emotionally. Not merely restless or rootless, it's who she is. Willing to follow where the music leads, she's landed in Los Angeles, Nashville, London, working with a who's who of producers—Richard Bennett, Hugh Padgham, Bill Bottrell, Angelo, Giles Martin. She's attracted a coterie of top-shelf genre-definers—Jason Isbell, Trisha Yearwood, Chuck Prophet, My Morning Jacket's Carl Broemel, Wilco's Pat Sansone—for her critically-lauded projects. She has also sung on records for Ryan Adams, Shawn Colvin, Isbell, and Rodney Crowell.
Part of what draws them to the dusky honey of her crystalline alto is the way she writes: to and from the soul, never flinching from the conflicts and crushing moments, yet always finding dignity and resilience. Her arc of the human heart is true. True enough that over the years, Richey's been both Grammy nominated. Nominated for Yearwood's truculently groove-country "Baby, I Lied," she also co-wrote Radney Foster's #1 "Nobody Wins."
"Harlan Howard said—and maybe I've taken it too much to heart, 'It's always more believable if you sing it in the first person.' And when I sit down to write, if it's something I'm going to sing, I want it to be what I want it to be. I don't really settle, which may make me a little hard to write with. But I have to be able to stand up and sing it night after night, and I can't if I don't really believe it."
After a nearly five year hiatus, Richey returned in 2018 with her eighth studio album, Edgeland. The term "Edgeland" is defined as the lost zone between urban and rural environments, a concept which mimics Richey’s constant fluctuation between the rigid genre definitions of country and Americana music. Richey naturally settles between the two, ignoring convention and instead allowing her own intuitive musical progression to shape her sound.