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Santa Fe Reads Kick-Off Concert
April 20thSihasin & Lindy Vision
May 4thAnn Napolitano
May 6thThe Kipsies
May 9thJason Joshua
May 9thJake Shimabukuro
May 10thThe Kipsies
May 11thJake Shimabukuro
May 11thMariee Siou
May 12thKiran Ahluwalia
May 12thKiran Ahluwalia
May 13thMike Zito
May 14thEtana
May 15thEtana & Kabaka Pyramid
May 16thNew Mexico Heritage Celebration
May 18thThe Sadies
May 30thEliza Gilkyson
May 31stEliza Gilkyson
June 1stChristopher Paul Stelling
June 6thChristopher Paul Stelling
June 7thJesse Dayton
June 8thLara Manzanares
June 13thRev. Peyton's Big Damn Band
June 19thFelix Gato Peralta
June 20thFelix Y Los Gatos
July 17thCarolyn Wonderland
July 23rdLara Manzanares
July 24thCarolyn Wonderland
July 24thWailing Souls
August 15thAndrea Magee's She Rises
August 31stBlack Uhuru
September 12thAlejandro Brittes
September 20thThird World
October 3rdCeú
October 8thTopHouse
November 21stHayes Carll
Rod Melancon
Add to Cal
Tickets are $25 in advance, $27 day of show (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
Hayes Carll's list of accomplishments is long. His third album, 2008's Trouble In Mind, earned him an Americana Music Association Award for Song of the Year (for "She Left Me for Jesus"). The follow-up, KMAG YOYO, was the most played album on the Americana Chart in 2011 and spawned covers by artists as varied as Hard Working Americans and Lee Ann Womack, whose version of "Chances Are" garnered Carll a Grammy nomination for Best Country Song. 2016's Lovers and Leavers swept the Austin Music Awards, and was his fourth record in a row to reach #1 on the Americana Airplay chart. Kelly Willis and Kenny Chesney have chosen to record his songs, and his television appearances include "The Tonight Show," "Austin City Limits," and "Later with Jools Holland." Carll is the rare artist who can rock a packed dancehall one night and hold a listening room at rapt attention the next.
"Repeating myself creatively would ultimately leave me empty. Covering new ground, exploring, and taking chances gives me juice and keeps me interested."
He knew he wanted to find the next level. On his new album, What It Is, he clearly has. With a career full of critical acclaim and popular success, Carll could've played it safe on this, his sixth record, but he didn't. The result is a musically ambitious and lyrically deep statement of an artist in his creative prime.
Like the soundtrack to a movie that doesn't yet exist, Rod Melancon's Pinkville whips up a world filled with shellshocked war veterans, gun-wielding rock & rollers, and other down-on-their-luck characters, mixing cinematic details and electric guitars into its own version of greasy, gothic Americana. Pulling everything together is Melancon himself: a southern songwriter and storyteller rooted in the oral tradition of Cormac McCarthy and Larry Brown. His songs are dark and detailed, and his voice—which veers between a spoken-word delivery, a croon, and a rough-edged howl—is every bit as diverse as the material it delivers.