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Backyard Refuge Day
March 21stGwenifer Raymond
March 23rdGwenifer Raymond
March 24thJohn Doe - SOLD OUT!
March 25thArkansauce
March 26thJohn Doe - Second Night! - SOLD OUT!
March 26thJane Siberry
March 28thJane Siberry
March 29thTejon Street Corner Thieves
March 29thCassie and Maggie
March 30thCassie and Maggie
March 30thRoomful of Teeth
April 6thRoomful of Teeth
April 8thBab L'Bluz
April 8thBab L'Bluz
April 9thThe Wailers
April 10thMarchFourth
April 10thSpyro Gyra
April 12thThe Bones of J.R. Jones
April 14thLos Radiators
April 22ndLos Radiators
April 23rdMoira Smiley: The Big Sing
April 25thMoira Smiley: The Rhizome Project
April 25thAly & AJ (Rescheduled to December 16)
April 26thEric Johnson
April 30thKelly Willis
May 2ndJuani De La Isla Quartet
May 9thMike Zito
May 15thEric Johnson
May 17thGhalia Volt
May 27thTab Benoit
May 28thTab Benoit
May 30thLone Piñon CD Release Celebration
June 3rdLone Piñon CD Release Celebration
June 5thWendy Rule
June 11thEl Gozao & Los 33
June 12thSlim Cessna + Maria de Cessna
June 14thSevero y Grupo Fuego and Lara Manzanares
June 19thAndy Mason
June 20thAndy Mason
June 20thRed Light Cameras and NEH
June 26thVibestrong and Dre Z Melodi
July 10thThe MacHeartbreakers
July 17thScott and Johanna Hongell-Darsee
August 1stSteve Earle
August 8thLiz Melendez and Caroline Aiken
August 22ndAly & AJ (New Date!)
December 16thInternational Guitar Night XXVII
February 23rd

Tickets cost $28 in advance, $33 day of show (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
Formed in Dallas, Texas, Old 97's first emerged in the early '90s with an adrenaline-pumping blend of rock and roll swagger, punk snarl, and old-school twang that quickly brought them into the national spotlight. Conventional wisdom places the band at the forefront of a musical movement that would come to be known as "alternative country," but, as the New York Times so succinctly put it, their sound always "leaned more toward the Clash than the Carter Family." Fueled by breakneck tempos, distorted guitars, and wry storytelling, the foursome built a reputation for high-energy albums and even higher energy shows, earning themselves performances everywhere from Conan and Letterman to Bonnaroo and Lollapalooza alongside countless rave reviews. NPR lauded the group as a "pioneering force," while Rolling Stone hailed their music's "whiskey-wrecked nihilism and slow-burn heartbreak," and The New Yorker praised their songwriting as "blistered, blasted, and brilliant." On top of his prodigious output with Old 97's, Rhett Miller simultaneously established himself as a prolific solo artist, as well, releasing eight studio albums under his own name that garnered similarly wide-ranging acclaim and landed in a slew of prominent film and television soundtracks. A gifted writer beyond his music, Miller also contributed essays and short stories to The Atlantic, Salon, McSweeney's, and Sports Illustrated among others, and in 2019, he released his debut book, a collection of poetry for children, via Little, Brown and Company.
Loose and raw, their latest record, Twelfth, is an ecstatic celebration of survival, a resounding ode to endurance and resilience from a veteran group that refuses to rest on their considerable laurels. Working out of Sputnik Sound in Nashville, Miller and his longtime bandmates—bassist Murry Hammond, guitarist Ken Bethea, and drummer Philip Peeples—teamed up once again with Grammy-winning producer Vance Powell (Chris Stapleton, Jack White), and while the resulting album boasts all the hallmarks of a classic Old 97's record (sex and booze, laughter and tears, poetry and blasphemy), it also showcases a newfound perspective in its writing and craftsmanship, a maturity and appreciation that can only come with age and experience.

"It used to be called boogie-woogie. It used to be called rhythm & blues. Now, they call it rock & roll."
Chuck Berry's words are at the very heart of Roots Rock & Roll 5-piece, The 40 Acre Mule. The self-described "Rhythm & Blues Outfit" are a powerhouse of vintage revival with a reputation for seamlessly blurring the lines between country, soul and rock audiences with songwriting that borders between blues-drenched heartbreak and an old school riot in the streets.

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