Search
Soriba Fofana & Kamus Sacko
January 12thSoriba Fofana & Kamus Sacko
January 12thRattlesnake Milk
January 13thYagody
January 16thYagody
January 17thLeftover Salmon
January 18thVienna Teng
January 22ndVienna Teng
January 23rdSadness, Madness, & Mayhem III
January 24thKalos
February 4thKalos
February 5thThe Sadies
February 6thRonnie Baker Brooks
February 17thLevi Platero
February 19thVanessa Collier
March 13thAlash
March 13thTinsley Ellis
March 14thVanessa Collier
March 14thAlash
March 14thTinsley Ellis
March 15thLúnasa
March 16thGwenifer Raymond
March 23rdGwenifer Raymond
March 24thArkansauce
March 26thA Word with Writers - Erik Larson
March 27thJane Siberry
March 28thJane Siberry
March 29thCassie and Maggie
March 30thCassie and Maggie
March 30thRoomful of Teeth
April 6thRoomful of Teeth
April 8thAly & AJ
April 26thEric Johnson
April 30thEric Johnson
May 17thGhalia Volt
May 27thTab Benoit
May 28th

Tickets cost $28 in advance, $33 day of show (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
Formed in Dallas, Texas, Old 97's first emerged in the early '90s with an adrenaline-pumping blend of rock and roll swagger, punk snarl, and old-school twang that quickly brought them into the national spotlight. Conventional wisdom places the band at the forefront of a musical movement that would come to be known as "alternative country," but, as the New York Times so succinctly put it, their sound always "leaned more toward the Clash than the Carter Family." Fueled by breakneck tempos, distorted guitars, and wry storytelling, the foursome built a reputation for high-energy albums and even higher energy shows, earning themselves performances everywhere from Conan and Letterman to Bonnaroo and Lollapalooza alongside countless rave reviews. NPR lauded the group as a "pioneering force," while Rolling Stone hailed their music's "whiskey-wrecked nihilism and slow-burn heartbreak," and The New Yorker praised their songwriting as "blistered, blasted, and brilliant." On top of his prodigious output with Old 97's, Rhett Miller simultaneously established himself as a prolific solo artist, as well, releasing eight studio albums under his own name that garnered similarly wide-ranging acclaim and landed in a slew of prominent film and television soundtracks. A gifted writer beyond his music, Miller also contributed essays and short stories to The Atlantic, Salon, McSweeney's, and Sports Illustrated among others, and in 2019, he released his debut book, a collection of poetry for children, via Little, Brown and Company.
Loose and raw, their latest record, Twelfth, is an ecstatic celebration of survival, a resounding ode to endurance and resilience from a veteran group that refuses to rest on their considerable laurels. Working out of Sputnik Sound in Nashville, Miller and his longtime bandmates—bassist Murry Hammond, guitarist Ken Bethea, and drummer Philip Peeples—teamed up once again with Grammy-winning producer Vance Powell (Chris Stapleton, Jack White), and while the resulting album boasts all the hallmarks of a classic Old 97's record (sex and booze, laughter and tears, poetry and blasphemy), it also showcases a newfound perspective in its writing and craftsmanship, a maturity and appreciation that can only come with age and experience.

"It used to be called boogie-woogie. It used to be called rhythm & blues. Now, they call it rock & roll."
Chuck Berry's words are at the very heart of Roots Rock & Roll 5-piece, The 40 Acre Mule. The self-described "Rhythm & Blues Outfit" are a powerhouse of vintage revival with a reputation for seamlessly blurring the lines between country, soul and rock audiences with songwriting that borders between blues-drenched heartbreak and an old school riot in the streets.

prevent_tinymce_removal












