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Bands of Enchantment: Griffin William Sherry, Sgt. Splendor and JD Nash & the Rash of Cash
September 17thCoco Montoya
September 19thHispanic Heritage Celebration
September 20thBands of Enchantment FREE Outdoor Music Festival
September 20thCoco Montoya - SOLD OUT!
September 20thAlasdair Fraser & Natalie Haas
September 24thAlasdair Fraser & Natalie Haas
September 25thJ2B2
September 26thJohn Moreland
September 26thLasotras
September 27thThe Banter Experience
September 30thThe Banter Experience
September 30thMasters of Hawaiian Music
October 3rdSlim Cessna + Maria de Cessna
October 4thMasters of Hawaiian Music
October 4thZar Electrik
October 8thFarah Siraj
October 8thShonen Knife
October 11th"Stop Making Sense" Screening
October 12th"Stop Making Sense" Screening
October 13thIsaac Aragon
October 18thHayden Pedigo
October 22ndIndigenous Heritage Celebration
October 25thGerry O'Connor with Don Penzien
October 31stGerry O'Connor with Don Penzien
November 1stJulian Brave NoiseCat
November 3rdKurbasy
November 8thKurbasy
November 9thRisas y Raíces: Rooted in Laughter
November 13thThe Bébé La La 15-Year Anniversary Concert & Celebration
November 15thLara Manzanares Album Release
November 20thLuca Stricagnoli
November 21stJoseph General & High Vibration
November 22ndLara Manzanares Album Release
November 23rdRyanhood
November 29thRyanhood
November 30thJane Siberry
December 2ndJane Siberry
December 3rdTrey Gunn and David Forlano
December 6thUNM Songwriters Circle
December 10thSadness, Madness, & Mayhem III
January 24thKalos
February 4thKalos
February 5thAlash
March 13thAlash
March 14thLúnasa
March 16thShovels & Rope - SOLD OUT
The Manticore Tour
Tre Burt
Add to Cal
Tickets cost $33 in advance, $38 day of show (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
Tumbleroot is a mostly-standing-room venue. Limited seating available.
This year marks ten years since Cary Ann Hearst and Michael Trent released their debut album O' Be Joyful, the first formally billed as Shovels & Rope. That decade included the release of six full-length albums, three collaborative covers albums (Busted Jukebox Volumes 1-3), a curated music festival in their hometown of Charleston, SC (High Water), a musical film (Shovels & Rope: The Movie) and countless dynamic live performances all over the planet. But it was in the rear courtyard suite of the Decatur St. house belonging to the Preservation Hall Jazz Band in New Orleans where Michael and Cary Ann began polishing up the songs that became their latest album, Manticore. There was a piano in the room and a little desk. There were piles of scattered and folded papers lying on the bed and copious digital ideas in the form of voice memos. And despite the pounding parades in the surrounding streets, it was quiet in the afternoon.
Months of relentless touring, partnering and parenting had left them threadbare, and the New Orleans stay was intended for finding time to think while renovations were happening at their house on Johns Island, SC. That time coincided with the last Mardi Gras before the world shut down and went into hiding. Sitting at the piano amid the pile of finished and unfinished lyrics, there was a bittersweetness and exhausted peace that belied the coming tribulations. The Decatur St. house would be the last stop on the year-long assembly line of songwriting on the fly. An image here and a rhyme there, scratched into a note pad for later. The next stop was The Whip, the home studio that was a refuge workspace in their backyard. They got back, put the laundry on, digested the news that the world was closed, the tour was canceled indefinitely, and the only thing to do was go inside. Inside the house, inside the studio, inside your mind and inside your time.
The songs and stories that make up Manticore are visceral, bold and at times deeply personal. And while all those adjectives could be used to describe the duo, this time around it rings true in a way that hits differently—or at least harder. Perhaps everything hits harder for everyone these days. And while most of these songs were written before the pandemic, they were all recorded at a time when everyone was inside. It takes aim at the human experience and does so without pulling a single punch: reflections on idol worship, homelessness, social justice, the experience of fierce parental love and marital strife are all on the menu here; and in true American fashion, the helpings are plentiful.
Sacramento songwriter Tré Burt's sophomore album, You, Yeah, You, is a narrated collection of songs featuring a cast of invented characters; heroes, villains, those destitute of salvation and those seeking it. This is Burt's second release on Oh Boy Records, the label founded by the late John Prine who signed the songwriter in the fall of 2019. On You, Yeah, You, Burt teamed up with Brad Cook (Bon Iver, Waxahatchee, Nathaniel Rateliff) to create the album that reads like twelve rounds in a ring, summoning the will to fight the unknown rather than surrender to fear and fatigue. You, Yeah, You is a cohesive body of work that clearly illustrates the ever expanding space in which Tré Burt's voice belongs.