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Brian Culbertson
March 22ndFlor de Toloache
April 1stFlor de Toloache
April 2ndMargo Cilker
April 2ndFlor de Toloache
April 3rdTinsley Ellis
April 9thA Word with Writers: Hampton Sides
April 10thTom Paxton with C. Daniel Boling
April 11thTom Paxton with C. Daniel Boling
April 12thThe Wailers
April 12thTom Paxton with C. Daniel Boling
April 13thCocoRosie
April 14thCocoRosie
April 15thSalman Rushdie
April 16thDamn Tall Buildings
April 17thDamn Tall Buildings
April 18thSanta Fe Reads Kick-Off Concert
April 20thSihasin & Lindy Vision
May 4thThe Kipsies
May 9thJason Joshua
May 9thJake Shimabukuro
May 10thThe Kipsies
May 11thJake Shimabukuro
May 11thMariee Siou
May 12thKiran Ahluwalia
May 12thKiran Ahluwalia
May 13thMike Zito
May 14thEtana
May 15thEtana
May 16thThe Sadies
May 30thChristopher Paul Stelling
June 6thChristopher Paul Stelling
June 7thJesse Dayton
June 8thLara Manzanares
June 13thRev. Peyton's Big Damn Band
June 19thFelix Gato Peralta
June 20thFelix Y Los Gatos
July 17thLara Manzanares
July 24thWailing Souls
August 15thAndrea Magee's She Rises
August 31stBlack Uhuru
September 12thJames McMurtry
Jonny Burke
Add to Cal
Tickets cost $28 in advance, $30 day of show (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
This is a General Admission show at the Lobo. The Den will be open for dancing. There is a lot of seating in the theater, but if the show sells out there will not be seats for everyone. Come early to guarantee best seating!
On James McMurtry's latest album, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance ("Canola Fields") and endless energy ("If It Don't Bleed"). This first collection in seven years spotlights a seasoned tunesmith in peak form as he turns toward reflection ("Vaquero") and revelation (closer "Blackberry Winter"). Familiar foundations guide the journey. "There's a definite Los Angeles vibe to this record," McMurtry says. "The ghost of Warren Zevon seems to be stomping around among the guitar tracks. Don't know how he got in there. He never signed on for work for hire."
McMurtry's lauded storytelling—check out songs such as "Operation Never Mind" and "Ft. Walton Wake-Up Call" on The Horse and the Hounds—consistently has turned heads for decades now. "James writes like he's lived a lifetime," said John Mellencamp back in 1989, when Too Long in the Wasteland hit the Billboard 200. "James McMurtry is one of my very few favorite songwriters on Earth and these days he's working at the top of his game," says Americana all-star Jason Isbell. "He has that rare gift of being able to make a listener laugh out loud at one line and choke up at the next. I don't think anybody writes better lyrics."
McMurtry's albums Just Us Kids (2008) and Childish Things (2005) back the claim, each scoring endless critical praise. The former earned McMurtry his highest Billboard 200 chart position in two decades (since eclipsed by Complicated Game) and notched Americana Music Award nominations. Childish Things spent six full weeks topping the Americana Music Radio chart in 2005 and 2006, and won the Americana Music Association's Album of the Year, with "We Can't Make It Here" named the organization's Song of the Year.
Jonny Burke fortifies vivid vignettes with a poet’s eye ("Behind the Pine Curtain") and an alchemist's precision ("High Katie"). Exhibit A: Behind the Pine Curtain. The Central Texas songwriter's excellent new acoustic collection deftly backs tongue-in-cheek narratives ("I Cut Off My Ankle Monitor to Be Here") with Technicolor earworms ("Pipe Bomb Dream"). Time served in the Lone Star state's penal system guides the journey. "The lyrical theme of the album was a conscious decision," Burke says. "I wanted to explore all the events and circumstances surrounding that time and the people I was around while incarcerated."