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Indigenous Heritage Celebration
October 25thGerry O'Connor with Don Penzien
October 31stGerry O'Connor with Don Penzien
November 1stJulian Brave NoiseCat - SOLD OUT!
November 3rdKurbasy
November 8thKurbasy
November 9thRisas y Raíces: Rooted in Laughter
November 13thThe Bébé La La 15-Year Anniversary Concert & Celebration
November 15thLara Manzanares Album Release
November 20thLuca Stricagnoli
November 21stJoseph General & High Vibration
November 22ndLara Manzanares Album Release
November 23rdRyanhood
November 29thRyanhood
November 30thTrey Gunn and David Forlano
December 6thZenobia
December 9thUNM Songwriters Circle
December 10thRattlesnake Milk
January 13thLeftover Salmon
January 18thSadness, Madness, & Mayhem III
January 24thKalos
February 4thKalos
February 5thThe Sadies
February 6thLevi Platero
February 19thAlash
March 13thAlash
March 14thLúnasa
March 16thGwenifer Raymond
March 23rdGwenifer Raymond
March 24thJane Siberry
March 28thJane Siberry
March 29thRoomful of Teeth
April 6thRoomful of Teeth
April 8thThokozani Mhlambi
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Thanks to the New Mexico Music Commission and the Friends of the Public Library for funding these library shows!
Register for the event and we'll send you updates if there are any schedule changes, as well as info on future free programs and other events around Santa Fe and Albuquerque.
This is another exciting collaboration with the Museum of International Folk Art. Thokozani will be in New Mexico for the opening of iNgqikithi yokuPhica / Weaving Meanings: Telephone Wire Art from South Africa on November 17. We are happy to offer up a chance to see him in Albuquerque as well. Be sure to check out the exhibit, though. We've been enjoying South African telephone wire art at Folk Art Market for years and are sure the MOIFA exhibit will take it to another level!
You can also catch Thokozani performing at Chatter's Sunday morning program on November 24.
Dr. Thokozani Mhlambi is a musician and cultural thinker who has a strong sense of community and how the local and global connect. Building artistic visions using an internationalist methodology, Mhlambi uses his art and exhibitions in order to convey African stories and philosophies. He has created his own distinctive presentations that blend engaging performances with critical thought, and frequently does solo concerts on his baroque cello and vocals on stage. He works with orchestras and groups in North America and Europe.
He has been a visiting artist at Cite Internationale Des Arts in Paris and at universities in Germany, Finland, and Brazil. Mhlambi recently returned from an Artist Fellowship at the University of Bayreuth in Germany, where he was developing new work using ancient Zulu idioms.

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