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OUTREACH - Alash
March 13thVanessa Collier - SOLD OUT!
March 13thAlash - SOLD OUT!
March 13thTinsley Ellis - SOLD OUT!
March 14thAlash - SOLD OUT!
March 14thVanessa Collier
March 14thTinsley Ellis
March 15thGoodnight, Texas
March 15thLúnasa
March 16thBackyard Refuge Day
March 21stGwenifer Raymond
March 23rdGwenifer Raymond
March 24thJohn Doe - SOLD OUT!
March 25thArkansauce
March 26thJohn Doe - Second Night!
March 26thJane Siberry
March 28thJane Siberry
March 29thTejon Street Corner Thieves
March 29thCassie and Maggie
March 30thCassie and Maggie
March 30thRoomful of Teeth
April 6thRoomful of Teeth
April 8thBab L'Bluz
April 8thBab L'Bluz
April 9thThe Wailers
April 10thMarchFourth
April 10thSpyro Gyra
April 12thThe Bones of J.R. Jones
April 14thLos Radiators
April 22ndLos Radiators
April 23rdMoira Smiley: The Big Sing
April 25thMoira Smiley: The Rhizome Project
April 25thAly & AJ (Rescheduled to December 16)
April 26thEric Johnson
April 30thKelly Willis
May 2ndMike Zito
May 15thEric Johnson
May 17thGhalia Volt
May 27thTab Benoit
May 28thLone Piñon CD Release Celebration
June 3rdLone Piñon CD Release Celebration
June 5thWendy Rule
June 11thEl Gozao & Los 33
June 12thSlim Cessna + Maria de Cessna
June 14thSevero y Grupo Fuego and Lara Manzanares
June 19thAndy Mason
June 20thAndy Mason
June 20thRed Light Cameras and NEH
June 26thVibestrong and Dre Z Melodi
July 10thThe MacHeartbreakers
July 17thScott and Johanna Hongell-Darsee
August 1stSteve Earle
August 8thAly & AJ (New Date!)
December 16thInternational Guitar Night XXVII
February 23rdThe Dead South
Wood & Wire
at
The Bridge Patio (Outside at Santa Fe Brewing Company)
37 Fire Place
Santa Fe NM 87508
Other Events at The Bridge Patio (outside At Santa Fe Brewing Company)
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Tickets are $24 in advance, $27 day of show (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251. 21+ ages.
The Bridge outdoor venue is a unique, open-air space with mountains on one side and an award-winning brewery on the other. The show will be held rain or shine.
NO CHAIRS * NO DOGS PLEASE
Try not to step on the chalk outlines when navigating through prairie pickers The Dead South's catalogue. Over the course of two full-length albums, it's true that the villainous, murderous match-strikers and revenge-takers outnumber those with good intentions, but in the end, no heinous act goes unpunished.
The Dead South, a gold-rush-vibing four-piece acoustic bluegrass set from Saskatchewan, infuse the genre's traditional trappings with an air of frontier recklessness, whiskey breakfasts and grizzled tin-pan showmanship. The sound, build on a taut configuration of cello, mandolin, banjo and guitar, speeds like a train past polite definitions of bluegrass into the grittier, rowdier spaces of the traditional world.
Currently one of the hottest tickets on both sides of the Atlantic, The Dead South's rise to touring juggernaut status is in part a very modern music biz fairytale, an algorithm-breaking success story in a one hundred-million view YouTube hit. The other factor, one simpler to see in terms of cause and effect, is their actual show—on stage they deliver, show after sold-out show, a relentlessly great, high-energy frenzy that has resulted in nearly 50,000 tickets sold in 2018. The numbers are adding up for this Billboard-charting, JUNO Award-winning, Next Big Sound Trendsetting, Road Gold certified band.

The Texas songwriter tradition casts a long shadow today, and Austin-based Americana roots juggernauts Wood & Wire could easily rattle off a long list of songwriters that inspire them, from Willie Nelson to James McMurtry and everyone in between. But ask them about what it is about Texas that brought us so many great songwriters, and they stop cold. That's because they don't romanticize their culture or their past; they're too busy working their asses off making new music, writing new songs. This isn't a land made for quiet reflection, it's a land made for hard work.
Respect for honest labor is a central theme in Wood & Wire's 2018 Grammy-nominated album for "Best Bluegrass," North of Despair, with songs populated by people like songwriter Tony Kamel's own grandfather, who built the family's hunting lodge in Llano, Texas with his own two hands. The characters on the album live large, and aren't afraid to share their opinions about the modern world. This kind of vivid, haunting songwriting focused on lives spent deep in the countryside is a hallmark of Texas songwriting. But it's the melding of this hard country songwriting with high-octane bluegrass instrumentation that makes for Wood & Wire's signature sound.

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