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Elida Almeida
July 11thMenla Choga Puja
July 14thWonder Women of Country
July 16thMac Heartbreakers
July 17thRufus Wainwright
July 17thMary Gauthier - SOLD OUT!
July 18thMary Gauthier
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July 22ndScott and Johanna Hongell-Darsee
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August 1stSteve Earle - SOLD OUT!
August 8thThe Cybertronic Spree
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August 17thAlbert Castiglia
August 18thLos Texmaniacs & Lisa Morales
August 21stRon Crowder
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September 11thThe Wailers
September 11thYungchen Lhamo
September 12thDía de los Muertos
October 3rdCoco Montoya
October 8thCoco Montoya
October 9thCoco Montoya
October 10thThe Wildwoods
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October 23rdChris Duarte
October 24thJoanne Shaw Taylor
October 28thArkansauce
December 4thAly & AJ (New Date!)
December 16thKeller Williams
January 14thKalos
January 27thKalos
January 28thInternational Guitar Night XXVII
February 23rdPortland Cello Project
Performing Radiohead's "OK Computer" and more
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Tickets are $30 in advance, $35 day of show (plus applicable service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
The Albuquerque show is SOLD OUT! We still have some tickets available for Santa Fe, but those are going fast too. Act now if you want to see this super cool show!
Portland's premiere alt-classical group brings a huge, orchestral ensemble (including brass, percussion, and guest vocals by Patti King of the Portland band The Shins) to perform a night in homage to Radiohead. Expect an evening of unique renditions of classical Radiohead pieces that wander from truly epic to breathtakingly intimate.
OK Computer is a historic album that has proven over the years to yield an infinite variety of artistic inspiration to people of all walks of life. Portland Cello Project first performed the record in its entirety in 2012 for the 15th anniversary of the album's release, and ever since then, pieces of it have remained in the group's repertoire as constantly evolving musical meditations.
All of the cellists in the group are classically trained, and yet, all of them seem to find a unique connection between Radiohead and their musical foundation. The deep layers of sonic ecstasy are reminiscent to all of so much late-19th-century music of the Western Classical Tradition, but beyond that, each of the cellists have worked to bring out subtleties they discover that hint at everything from Bach counterpoint at times, to rhythms they initially learned counting and performing Stravinsky.

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