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Sihasin & Lindy Vision
May 4thAnn Napolitano - Sold Out!
May 6thThe Kipsies
May 9thJason Joshua
May 9thJake Shimabukuro
May 10thThe Kipsies
May 11thJake Shimabukuro
May 11thKiran Ahluwalia
May 12thMariee Siou
May 12thKiran Ahluwalia
May 13thMike Zito
May 14thEtana
May 15thEtana & Kabaka Pyramid
May 16thNew Mexico Heritage Celebration
May 18thThe Sadies
May 30thEliza Gilkyson
May 31stEliza Gilkyson
June 1stChristopher Paul Stelling
June 6thChristopher Paul Stelling
June 7thJesse Dayton
June 8thLara Manzanares
June 13thRev. Peyton's Big Damn Band
June 19thFelix Gato Peralta
June 20thFelix Y Los Gatos
July 17thCarolyn Wonderland
July 23rdLara Manzanares
July 24thCarolyn Wonderland
July 24thWailing Souls
August 15thAndrea Magee's She Rises
August 31stBlack Uhuru
September 12thAlejandro Brittes
September 20thThird World
October 3rdCeú
October 8thIndigenous Heritage Celebration featuring Innastate
October 19thTopHouse
November 21stGregory Alan Isakov
Patrick Park
Add to Cal
Tickets are $30 in advance, $35 day of show (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
This is a standing room only show. There are no seats at the El Rey.
$1 from each ticket sold for this show will support Project Worthmore. Project Worthmore provides opportunities for refugees through six programs—Community Navigation, English Language, Worthmore Clinic, Family Partnership, Delaney Community Farm, and the Yuh Meh Food Share—which assist refugees in becoming self-sufficient and improving their quality of life.
Many musicians have day jobs to make ends meet. However, few artists maintain the lifestyle kept by Gregory Alan Isakov. The Colorado-based indie-folk artist is a full-time farmer who sells vegetable seeds and grows various market crops on his three-acre farm, while also tending to a thriving musical career.
"I switch gears a lot," he says. "I wake up really early in the growing season, and then in the winters, I'm up all night. I'm constantly moving back and forth."
Isakov had an easier time balancing his two passions while making his fourth full-length studio album, Evening Machines. In between farm duties, the multi-instrumentalist wrote and recorded in a studio housed in a barn on his property. Like the farm, this studio has a communal atmosphere, filled with instruments and gear stored there by musician friends—gear Isakov always leaves on, just in case inspiration strikes.
"Sometimes I couldn't sleep, so I'd walk into the studio and work really hard into the night," he says. "A lot of times I would find myself in the light of all these VU meters and the tape machine glow, so that's where the title came from. I recorded mostly at night, when I wasn't working in the gardens. It doesn't matter if it's summer or winter, morning or afternoon, this music always feels like evening to me."
After wrapping up the tour for his 2014 album Love Like Swords, the weight of touring alone in a van for months, partnered with the financial realities of being a musician, began to take its toll. Patrick Park turned to writing songs for other artists, but, despite having success, he wasn't receiving creative fulfillment from the routine.
"We have an idea of the things that will make us happy, if we could just get them. But then we get them, and they're not what we thought they would be. Or we find that they're not enough and we want something else. Or we quickly lose them. And it's just this thing that goes on, and on, and on."
Instead, Park found solace from the existential dread through meditation and working as a counselor on the suicide hotline. During this time, he began to write music for himself again, and those songs materialized as letters to his soon-to-be-born son and aural reckonings with the brevity of life. Park's latest album, Here/Gone, encapsulates the incessant urge to chase things in life that only bring the most fleeting sense of fulfillment.