![](/sites/ampconcerts.org/gfx/speaker_logo.gif)
Search
Eddie 9V
August 3rdUNM Jarocho Ensemble
August 4thLiz Howdy, Stella Martinez, Cee Mo
August 7thShae Fiol & Andrea Magee
August 8thLuke Bulla
August 9thElovated Roots
August 10thKevin Fedarko - SOLD OUT!
August 12thWailing Souls
August 15thMac Sabbath
August 17thMike Dawes
August 18thMike Dawes
August 19thJD Simo
August 20thAndrea Magee's She Rises
August 31stLas Flores del Valle
September 1stMary Gauthier
September 4thJ2B2
September 5thTab Benoit
September 10thBlack Uhuru
September 12thAlejandro Brittes
September 20thExtravaganza on Museum Hill
September 21stJoe Boyd
September 24thJoe Boyd
September 25thMaryna Krut
September 27th3 On A Match Kabarett
September 28thMaryna Krut
September 29thAl Di Meola
October 2ndThird World
October 3rdThe Tannahill Weavers
October 3rdCeú
October 8thJoe P
October 9thThe Bones of JR Jones
October 10thMasters of Hawaiian Music
October 11thMasters of Hawaiian Music
October 12thBuckethead
October 12thPeter Bradley Adams
October 16thPeter Bradley Adams
October 17thIndigenous Heritage Celebration featuring Innastate
October 19thKassa Overall
October 26thKassa Overall
October 27thCimafunk
October 30thArkansauce
November 7thKristina Jacobsen
November 17thTopHouse
November 21stKalos
January 15thKalos
January 16thJesse Cook
February 2ndJesse Cook
February 3rdAltan
March 12thLúnasa
March 18thC.W. Stoneking -SOLD OUT-
Add to Cal
Tickets are $22 in advance, $25 day of show (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
C.W. Stoneking is an artist for whom "unexpected" is probably the default setting. How else to describe such a fine purveyor of American roots music who also happens to be a towering, youthful-faced white Australian man? He surprises first-time listeners, throws curveballs at long-time fans, and everything he does contains at least some background level of bafflement for all involved.
There are multitudes in Stoneking's music. It's probably easiest to describe him as a "blues artist," but the term disguises what makes his music special. There's so much in there. A 1920s pre-war blues sound is key, but there's almost equal helpings of New Orleans jazz, jug band music, hokum, country and calypso, and he's lately brought in elements of jump jive, early rock 'n roll and gospel. His gift is that he brings them all together without anything sounding out of place. He finds the strands that connect all of these different styles and gently braids them together. It's what he values more than anything: "It's getting everything to unify, really. The music, the flow of it, keeping it moving, with no dead spots. Then I guess having the lyrics and the meaning that flows in that too, you know? Getting it all to knit together in a way that, if you didn't speak English maybe, you'd still be able to feel the melody, or the sounds of the words. If you did, then the meaning would also flow. That's sort of what I'm trying to do, I guess."
When so many on the blues scene are trying to sound "authentic"—whatever that is—it's that unity of sound that allows Stoneking to actually achieve it, and with apparent ease, too. Back in the day, no-one was "just" a blues musician, or a jazz or country musician, and so neither is he.