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Rachel Kushner - SOLD OUT!
July 7thKhumariyaan Welcome Party
July 7thKhumariyaan
July 8thKhumariyaan
July 9thKhumariyaan
July 10thTelmary
July 12thAlly Venable
July 15thFlor de Toloache
July 16thFlor de Toloache
July 17thAndrea Magee's She Rises
July 18thOscar Butler
July 23rdCelloquacious and Eli del Puerto
July 24thInnastate
July 26thCelloquacious & Eli del Puerto
July 27thGreen Tara Puja
July 29thArkansauce
August 1stMark Hummel
August 2ndMark Hummel
August 3rdLuke Bulla
August 7thLuke Bulla
August 9th7Horse
August 9thRaul Midón
August 13thRaul Midón
August 14thThe WesternHers
August 23rdLevi Platero | Chris Dracup :Funk of the West
August 23rdThievery Corporation
September 3rdTab Benoit
September 9thDevon Allman's Blues Summit
September 9thTab Benoit
September 10thCoco Montoya
September 19thCoco Montoya
September 20thAlasdair Fraser & Natalie Haas
September 24thAlasdair Fraser & Natalie Haas
September 25thJohn Moreland
September 26thJ2B2
September 26thLasotras
September 27thSlim Cessna + Maria de Cessna
October 4thShonen Knife
October 11th"Stop Making Sense" Screening
October 12th"Stop Making Sense" Screening
October 13thHayden Pedigo
October 22ndKurbasy
November 8thKurbasy
November 9thThe Bébé La La 15-Year Anniversary Concert & Celebration
November 15thLuca Stricagnoli
November 21stRyanhood
November 29thRyanhood
November 30thTodd Snider- POSTPONED-
Lilly Winwood
at
St Francis Auditorium at the New Mexico Museum of Art
107 W Palace Ave,
Santa Fe NM 87501
Other Events at St Francis Auditorium At The New Mexico Museum Of Art
Add to Cal
Tickets cost $37 and $31 (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
One morning, Todd Snider was relaxing with a visitor on the back porch of his house just outside Nashville, drinking coffee and shooting the breeze while his dog, Cowboy Jim, took a nap nearby. After awhile, Snider said to his guest, "I've got an album's worth of songs, and I think the songs are telling me to make a folk record."
This was a surprising bit of news considering he had spent the last six years making rock albums of one kind or another. But Snider was feeling as if he had "maybe drifted too far from the shore." He was feeling the pull to start over, to go back to what he was doing when he first began, to return to his roots as a folksinger.
If Snider needed any further evidence that was the direction he should pursue, he got it a half hour later. Back inside his home office, he checked his email and had one from his manager informing him he had just received an offer to play the 2019 Newport Folk Festival, an event he had never done.
Snider mentioned he had been listening to Woody Guthrie's Library of Congress Recordings, then crossed the room to the turntable and put the needle down on side one of the record. "Woody Guthrie sometimes gets me reset on why you do a song, instead of how," Snider explains of the man who has long been a touchstone for him. "When I was young, there was something about him that made me want to do it. So once or twice a year, I'll go back to him, I'll go back to the source."
Guthrie famously had the words "This machine kills fascists" printed on his guitar, and on several of the songs on Snider's latest album, Cash Cabin Sessions, Vol. 3, he squarely aims his guitar at the creeping fascism he sees in America. He had been wanting to make a political record since 2016, and although only half the songs lean in that direction, there is one constant throughout the album: a man, his guitar, and the truth.
In 2015, Lilly Winwood needed a vacation. The countryside of her native Gloucestershire, England felt too familiar, and London was, in her own words, "so big, so expensive, and reeked of havoc and loss and all that good stuff." So Winwood hopped on a plane to Nashville, where she'd spent childhood summers visiting her mother's family. The plan was to come back to England after a few weeks—but the vacation never ended.
Silver Stage, the debut EP from Lilly Winwood (daughter of classic rock legend Steve Winwood), chronicles this journey through earnest coming-of-age narratives and a sound that—much like her father's work—offers an English take on traditional American roots music. Backed by Nashville-via-Australia producer Joshua Barber (Gotye, Archie Roach), the songs on Silver Stage blend Bonnie Raitt's world-weary vocals, My Morning Jacket's ethereal twang, and Brittany Howard's no-bullshit bravado to create an EP that pays homage to Lilly's singer-songwriter idols (like John Prine) and establishes the twenty-one-year-old as a writer that's wise beyond her years.