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December 9thUNM Songwriters Circle
December 10thThe Klezmatics: Happy Joyous Hanukkah
December 11thSoriba Fofana & Kamus Sacko
January 12thSoriba Fofana & Kamus Sacko
January 12thRattlesnake Milk
January 13thYagody
January 16thYagody
January 17thLeftover Salmon
January 18thVienna Teng
January 22ndVienna Teng
January 23rdSadness, Madness, & Mayhem III
January 24thKalos
February 4thKalos
February 5thThe Sadies
February 6thRonnie Baker Brooks
February 17thLevi Platero
February 19thVanessa Collier
March 13thAlash
March 13thTinsley Ellis
March 14thVanessa Collier
March 14thAlash
March 14thTinsley Ellis
March 15thLúnasa
March 16thGwenifer Raymond
March 23rdGwenifer Raymond
March 24thArkansauce
March 26thJane Siberry
March 28thJane Siberry
March 29thRoomful of Teeth
April 6thRoomful of Teeth
April 8thAly & AJ
April 26thGhalia Volt
May 27thTab Benoit
May 28thClem Snide
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PROOF OF VACCINATION OR NEGATIVE TEST REQUIRED FOR ENTRANCE
To assure the health of our patrons, artists and staff, as well as the continued health of the concert industry, all AMP Concerts require either a proof of vaccination completed at least 14 days prior to the event or a negative COVID test administered by a health care professional within 72 hours of the event. Originals or photos of documents with a matching ID will be accepted. Masks are also required at all indoor venues (as per the current State health orders).
Thanks for your cooperation and understanding.
Tickets cost $17 in advance, $20 day of show (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
@708 is an intimate 150-capacity room that is part of the new Fusion Forum space. It will contain several theater spaces, a coffee shop/restaurant, and office spaces. Fusion Forum promises to be an exciting new arts destination on the edge of downtown Albuquerque! This is a general admission seated show. There will be coffee, tea, soft drinks and snacks available for purchase.
"The last ten years have been a rollercoaster of deep despair and amazing opportunities that somehow present themselves at the last possible second," says Eef Barzelay. "During that time, the band bottomed out, I lost my house, and I had to declare bankruptcy. The only way to survive was to try to transcend myself, to find some kind of deeper, spiritual relationship with life. Once I committed to that, all these little miracles started happening."
Forever Just Beyond, Barzelay's stunning new album under the Clem Snide moniker, may just be the most miraculous of them all. Produced by Scott Avett, the record is a work of exquisite beauty and profound questioning, a reckoning with faith and reality that rushes headlong into the unknown and the unknowable. The songs here grapple with hope and depression, identity and perception, God and the afterlife, humanizing thorny existential issues and delivering them with the intimate, understated air of a late-night conversation between old friends. Avett's production is similarly warm and inviting, and the careful, spacious arrangement of gentle guitars and spare percussion carves a wide path for Barzelay's insightful lyrics and idiosyncratic delivery.
Named for a William S. Burroughs character, Clem Snide first emerged from Boston as a three-piece in the early 1990s, and the group would go on to become a cult and critical favorite, picking up high profile fans from Bon Iver to Ben Folds over the course of three decades and more than a dozen studio albums. NPR highlighted the Israeli-born Barzelay as "the most underrated songwriter in the business today, with a sneakily firm grasp on poignancy and humor," while Rolling Stone hailed his songwriting as "soulful and incisive," and The New Yorker praised his music's "soothing melodies and candid wit."
Barzelay currently resides in Nashville, TN.

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