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Isaac Aragon
October 18thHayden Pedigo
October 22ndIndigenous Heritage Celebration
October 25thGerry O'Connor with Don Penzien
October 31stGerry O'Connor with Don Penzien
November 1stJulian Brave NoiseCat - SOLD OUT!
November 3rdKurbasy
November 8thKurbasy
November 9thRisas y Raíces: Rooted in Laughter
November 13thThe Bébé La La 15-Year Anniversary Concert & Celebration
November 15thLara Manzanares Album Release
November 20thLuca Stricagnoli
November 21stJoseph General & High Vibration
November 22ndLara Manzanares Album Release
November 23rdRyanhood
November 29thRyanhood
November 30thTrey Gunn and David Forlano
December 6thZenobia
December 9thUNM Songwriters Circle
December 10thRattlesnake Milk
January 13thSadness, Madness, & Mayhem III
January 24thKalos
February 4thKalos
February 5thThe Sadies
February 6thLevi Platero
February 19thAlash
March 13thAlash
March 14thLúnasa
March 16thGwenifer Raymond
March 23rdGwenifer Raymond
March 24thJane Siberry
March 28thJane Siberry
March 29thRoomful of Teeth
April 6thRoomful of Teeth
April 8thCedric Burnside
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PROOF OF VACCINATION OR NEGATIVE TEST REQUIRED FOR ENTRANCE
To assure the health of our patrons, artists and staff, as well as the continued health of the concert industry, all AMP Concerts require either a proof of vaccination completed at least 14 days prior to the event or a negative COVID test administered by a health care professional within 72 hours of the event. Originals or photos of documents with a matching ID will be accepted. Masks are also required at all indoor venues (as per the current State health orders).
Thanks for your cooperation and understanding.
Tickets cost $22 and $27 (including all service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
The blues is music for all time—past, present, and future—and few artists simultaneously exemplify those multiple temporal moments of the genre like North Mississippi's Cedric Burnside. The Mississippi Hill Country blues guitarist and singer/songwriter contains within him the legacy and future of the region's prescient sound stories. At once African and American and southern and Mississippian, these stories tell about love, hurt, connection, and redemption in the South. His newest contribution to this tradition is I Be Trying, a 13-track album treatise on life's challenges, pleasures, and beauty. "Life can go any kind of way," Burnside says. With almost 30 years of performing and living blues in him, he would know.
Burnside's blues inheritance, the North Mississippi Hill Country blues, is distinct from its Delta or Texas counterparts in its commitment to polyrhythmic percussion and its refusal of familiar blues chord progressions. Often, and especially in Burnside's care, it leads with extended riffs that become sentences or pleas or exclamations, rendering the guitar like its West African antecedent, the talking drum. Riffs disappear behind and become one with the singer's voice, like the convergence of hill and horizon in the distance. Sometimes they become the only voice, saying what the singer cannot conjure the words for. Across some nine individual and collaborative album projects, Burnside's voice eases seamlessly into, through, and behind the riffs spirit gifts him, carrying listeners to a deep Mississippi well. There is mirror there in the water of that well, in Burnside's music, that shows us who and what we have been, who we are, and what we might be if we look and heed.