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Uji - SOLD OUT!
February 4thMatt Andersen
February 13thSteel Pulse
February 20thIya Terra
February 22ndDogs in a Pile
February 23rdThe Second City Swipes Right
February 25thMVF Band
February 25thTinsley Ellis
February 26thTinsley Ellis
February 27thMVF Band
February 27thEric Johnson
March 4thDerek Gripper
March 10thTank and the Bangas
March 11thDerek Gripper
March 11thAn Evening with Tanya Tucker
March 15thNaghash Ensemble
March 17thLúnasa
March 18thNaghash Ensemble
March 18thSteve'n'Seagulls
March 23rdKevin Kaarl
March 26thThumpasaurus
April 4thG. Love & Special Sauce
April 4thRayland Baxter
April 5thEmily Nenni
April 11thM83
April 11thLaurie Lewis and The Right Hands
April 12thLaurie Lewis and The Right Hands
April 13thVieux Farka Touré
April 22ndVieux Farka Touré
April 23rdSierra Ferrell
April 24thWatchhouse
April 27thOFF! - New Date!
April 29thKeb' Mo'
May 2ndNick Shoulders
May 4thY La Bamba
May 7thPixies - SOLD OUT!
May 9thBéla Fleck and the Flecktones
June 14thRobert Plant & Alison Krauss
June 17thSylvan Esso - No Rules (Tour)
September 9thBonnie Raitt
September 17thThe Dead Tongues
Free Show!
Register for the event and we'll also send you updates if there are any schedule changes, as well as info on future free programs and events around Santa Fe and Albuquerque.
Tumbleroot is a mostly-standing-room venue. Limited seating available.
Dust is the fifth album from The Dead Tongues, the project of Western North Carolina-based songwriter and multi-instrumentalist Ryan Gustafson. Gustafson recorded Dust in nine days, the fastest he'd ever recorded anything. It was the fastest he'd ever written anything. The record was recorded at Sylvan Esso's studio, Betty's, in the woods of Chapel Hill, North Carolina. He built it out with help from a number of his musician friends—Joe Westerlund (Watchhouse, Megafaun, Califone) on drums, Andrew Marlin (Watchhouse) on mandolin, backing vocals from Alexandra Sauser-Monnig and Molly Sarlé of Mountain Man, among others.
Dust is meant to be listened to while taking a night drive, far-flung and roving and existential. Somewhere between the expansiveness of American jam band and the banjo-centric folk songwriting of Gustafson's Appalachia home. Gustafson explains the thematic throughline succinctly: "It's this idea of uprooting and rebirth and cycles, and the past informing the future, and the future informing the past. There is no single story. Everything is connected."