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Alasdair Fraser Band
November 8thAlasdair Fraser Welcome Party
November 9thOUTREACH - Alasdair Fraser Band
November 10thAlasdair Fraser Band
November 10thRisas y Ritmo
November 12thThe Next Waltz
November 14thAdam Hooks & Ken Easton
November 19thAdam Hooks & Ken Easton
November 24thJimi Hendrix Birthday Tribute - SOLD OUT!
November 28thBobby Rush
December 2ndSteve Poltz
December 3rdArkansauce
December 4thJuanita
December 9thHigh DeZert KleZmer
December 16thAly & AJ
December 16thKeller Williams
January 14thEric Johanson
January 17thKalos
January 27thKalos
January 27thKalos
January 28thKalos
January 28thJesse Cook
January 31stJesse Cook
February 1stTrio Mandili
February 4thCorey Harris
February 6thCorey Harris
February 7thFink
February 12thHot 8 Brass Band
February 22ndInternational Guitar Night XXVII
February 23rdTopHouse
February 24thAnthony Gomes
March 14thRoomful of Teeth
March 18thMartin Sexton
March 31stMartin Sexton
April 1stTannahill Weavers
April 21stTannahill Weavers
April 22ndThe Wailers
May 9thThe Dead Tongues
Free Show!
Register for the event and we'll also send you updates if there are any schedule changes, as well as info on future free programs and events around Santa Fe and Albuquerque.
Tumbleroot is a mostly-standing-room venue. Limited seating available.
Dust is the fifth album from The Dead Tongues, the project of Western North Carolina-based songwriter and multi-instrumentalist Ryan Gustafson. Gustafson recorded Dust in nine days, the fastest he'd ever recorded anything. It was the fastest he'd ever written anything. The record was recorded at Sylvan Esso's studio, Betty's, in the woods of Chapel Hill, North Carolina. He built it out with help from a number of his musician friends—Joe Westerlund (Watchhouse, Megafaun, Califone) on drums, Andrew Marlin (Watchhouse) on mandolin, backing vocals from Alexandra Sauser-Monnig and Molly Sarlé of Mountain Man, among others.
Dust is meant to be listened to while taking a night drive, far-flung and roving and existential. Somewhere between the expansiveness of American jam band and the banjo-centric folk songwriting of Gustafson's Appalachia home. Gustafson explains the thematic throughline succinctly: "It's this idea of uprooting and rebirth and cycles, and the past informing the future, and the future informing the past. There is no single story. Everything is connected."

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