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Vanessa Collier
March 13thAlash
March 13thTinsley Ellis - SOLD OUT!
March 14thAlash
March 14thVanessa Collier
March 14thGoodnight, Texas
March 15thTinsley Ellis
March 15thLúnasa
March 16thBackyard Refuge Day
March 21stGwenifer Raymond
March 23rdGwenifer Raymond
March 24thJohn Doe - SOLD OUT!
March 25thArkansauce
March 26thJohn Doe - Second Night!
March 26thA Word with Writers - Erik Larson
March 27thJane Siberry
March 28thJane Siberry
March 29thTejon Street Corner Thieves
March 29thCassie and Maggie
March 30thCassie and Maggie
March 30thRoomful of Teeth
April 6thRoomful of Teeth
April 8thBab L'Bluz
April 8thBab L'Bluz
April 9thThe Wailers
April 10thMarchFourth
April 10thSpyro Gyra
April 12thThe Bones of J.R. Jones
April 14thMoira Smiley: The Big Sing
April 25thMoira Smiley: The Rhizome Project
April 25thAly & AJ (Rescheduled to December 16)
April 26thEric Johnson
April 30thKelly Willis
May 2ndEric Johnson
May 17thGhalia Volt
May 27thTab Benoit
May 28thSteve Earle
August 8thAly & AJ (New Date!)
December 16thHataałii
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Thanks to the New Mexico Music Commission and the Friends of the Public Library for funding these library shows!
Register for the event and we'll send you updates if there are any schedule changes, as well as info on future free programs and other events around Santa Fe and Albuquerque.
Hataałii—the singer, songwriter, and poet born Hataałiinez Wheeler in Window Rock, AZ, the capital of Navajo Nation—arrived just in time to witness American collapse. Not a galvanizing, grand explosion of empire but a paralysis-inducing decay and alienation that infects the American body politic. Zealotry repurposed into a new cultural crusade every week. Reality-building and delusion affirmation masquerading as liberty. The show-horse ladder of success. Pandora's Box purchased on credit, driving everyone mad in different ways, algorithmically determined to suit your unique neuroses.
It's from this vantage point that Hataałii brings us Waiting For A Sign, a heady collection of ghost town anthems, short story mirages, and brain fog-clearing personal reckonings. At times it recalls the playfully languid puzzlement of Pavement's Wowee Zowee, the trickster melancholy of Lou Reed's The Blue Mask, the economical yet winking earnestness of Blaze Foley, or the softer Spacemen 3 songs that cast awe and mystery against a droning, endless atmosphere. But, as easy as the tempos can get, Hataałii operates with purpose: the obscurantist details come into focus, giving way to trenchant observations about paranoia, accountability, and post-colonial fallout.

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