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Sir Woman
May 31stFelix y Los Gatos
June 3rdChris Dracup & Male' Fainke
June 3rdTab Benoit
June 6thKardemimmit
June 10thKardemimmit
June 12thRobert Plant & Alison Krauss - SOLD OUT!
June 17thEliza Gilkyson
June 24thInternational Folk Art Market
July 7thInternational Folk Art Market
July 8thDelgres
July 9thHeartless Bastards
August 5thThe Wailers
August 20thNeighborhood Open Space Community Concert
August 26thTab Benoit
September 3rdBlack Uhuru
September 8thSylvan Esso - No Rules (Tour)
September 9thBlack Uhuru
September 10thTangerine Dream
September 16thBonnie Raitt - SOLD OUT!
September 17thDevon Allman and Donavon Frankenreiter
September 18thNature Festival & Block Party
September 23rdJosh Ritter & The Royal City Band
October 2ndNature Festival & Block Party
October 14thBonnie "Prince" Billy
October 20thOmara Portuondo
October 22ndRyan Adams
November 22ndAlasdair Fraser & Natalie Haas
March 15thSeratones
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Register for the event and we'll send you updates if there are any schedule changes, as well as info on future free programs in the Hear This! Emerging Artist Free Concert Series and other events around Santa Fe and Albuquerque.
"We went through a pretty dramatic shift with this record," says Seratones frontwoman AJ Haynes. "The band lineup, the creative process, the sound: all of it changed in ways that really reflected our growth and evolution."
One listen to Power, Seratones' spectacular sophomore album, and it's clear just how much of an evolution has taken place. Produced by Cage The Elephant guitarist Brad Shultz, the record finds the Shreveport five-piece trading in the brash proto-punk of their critically acclaimed debut for a timeless brand of gritty soul, one that takes its cues from vintage Motown and Stax even as it flirts with modern synthesizers and experimental arrangements. Haynes' captivating voice remains front and center here, but her delivery this time around is more measured and self-assured than ever before, a beacon of confidence and clarity amidst a sea of social and political turmoil. Perhaps even more marked than the any sonic development on the record, though, is Haynes' lyrical turn, which points her gaze inwards for the first time as she grapples with race, gender, and justice, writing with an unfiltered honesty that at once exudes strength and vulnerability, hope and despair, beauty and pain.
"I learned to tap more into my own stories with these songs," says Haynes. "I came to recognize that I have this lineage and these inherited experiences that are beautiful and worthy of exploration. The more personal my writing got, the more deeply I was able to connect with people."
Seratones have been chasing those kinds of deep connections since 2016, when they first rocketed into the national spotlight with their breakout debut, Get Gone. Rolling Stone called the album a "fitful collision of punk, soul and jazz echoing out of a shed strewn with whiskey bottles," while Pitchfork praised the collection's "soulful grease and punky grit," and NPR hailed it as "lean and compact, with an impressive assortment of anthemic stompers." The music earned the band dates on the road with artists as varied as St. Paul & The Broken Bones, Thao & The Get Down Stay Down, The Dandy Warhols, and Drive-By Truckers, along with festival slots from Hangout to Newport Folk and invitations to perform on national television and at NPR's Tiny Desk.