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The Bones of JR Jones
October 10thMasters of Hawaiian Music
October 11thMasters of Hawaiian Music
October 12thBuckethead - SOLD OUT!
October 12thMariachi Los Caporales
October 13thBuckethead - Second Night!
October 13thPeter Bradley Adams
October 16thPeter Bradley Adams
October 17thIndigenous Heritage Celebration featuring Innastate
October 19thA Word with Writers: Christopher Paolini
October 20thHataałii
October 23rdMariachi Azteca de Santa Fe
October 26thKassa Overall
October 26thKassa Overall and The Boomroots Collective
October 27thOUTREACH - Kassa Overall
October 28thCimafunk
October 30thCoco Montoya
November 2ndArkansauce
November 7thInnastate
November 9thThe Real Matt Jones
November 14thLOL Comedy Fundraiser
November 14thZoë Keating
November 15thKristina Jacobsen
November 17thTopHouse
November 21stHolly Near with Jan Martinelli
November 23rdHolly Near with Jan Martinelli
November 24thCheryl Wheeler with Kenny White
December 4thCheryl Wheeler with Kenny White
December 5thIris DeMent
December 5thClay Street Unit
December 6thLaurianne Fiorentino & Michael Kott
December 11thLaurianne Fiorentino & Michael Kott
December 11thMem Shannon
December 18thKalos
January 15thKalos
January 16thJesse Cook
February 2ndJesse Cook
February 3rdThe Ocean Blue
February 21stAlbert Castiglia
February 25thAlbert Castiglia
February 26thSadness, Madness, & Mayhem
March 1stAltan
March 12thLúnasa
March 18thYagody
March 29thYagody
March 30thThe Bones of JR Jones
Jarrod Dickenson
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Tickets cost $20 in advance, $25 day of show (plus service charges). They are also available by phone through Hold My Ticket at 505-886-1251.
Tumbleroot is a mostly-standing-room venue. Limited seating available.
Born and raised in central New York, Jonathon Linaberry—better known as The Bones of J.R. Jones— got his start playing in hardcore and punk bands before becoming enamored with the field recordings of Alan Lomax, who documented rural American blues, folk, and gospel musicians throughout the 1930s and '40s. Inspired by the unvarnished honesty of those vintage performances, Linaberry launched The Bones of J.R. Jones in 2012 and, operating as a fully independent artist over the course of the ensuing decade, released three critically acclaimed albums along with a trio of similarly well received EPs; landed his songs in a slew of films and television series including "Suits," "Daredevil," "Longmire," and "Graceland"; and toured the US and Europe countless times over as a one-man band, playing guitar or banjo while simultaneously stomping a modified drum kit everywhere from Telluride Blues to Savannah Stopover. Along the way, Linaberry also shared bills with the likes of The Wallflowers, G. Love, and The Devil Makes Three, soundtracked an Amazon commercial helmed by Oscar-winning director Taika Waititi, and earned praise from Billboard, American Songwriter, and Under the Radar, among others.
Slow Lightning, his mesmerizing new album, is raw and visceral, pulsating with an understated electrical current that flows just beneath its seemingly placid surface. The songs are restless and unsettled here, often grappling with doubt and desire in the face of nature and fate, and frequent collaborator Kiyoshi Matsuyama's production is eerily hypnotic to match, with haunting synthesizers, vintage drum machines, and ghostly guitars fleshing out Linaberry's already-cinematic brand of roots noir. The result is a moody, ominous work that's equal parts Southern Gothic and transcendentalist meditation, an instinctual slice of piercing self-reflection that hints at everything from Bruce Springsteen and Bon Iver to James Murphy and J.J. Cale as it searches for meaning and purpose in a world without easy answers.
Jarrod Dickenson is a guitarist, singer, songwriter and producer, originally from Waco, Texas, now based in Nashville. Not one to fear an exhausting tour schedule, Dickenson has entranced crowds all over Europe and the US and shared stages with such legendary artists as Bonnie Raitt, Don McLean, The Waterboys, Jools Holland and Jimmie Vaughan. He has performed at prestigious festivals such as Glastonbury and Cambridge Folk Festival. In addition to his origin as a Texan, his current status as a Tennessee resident, and the fact that he dropped enough rent over the years to deserve to call himself a New Yorker, Dickenson is also an adopted son of Belfast. It was in the Northern Irish city where he met wife and bandmate Claire Dickenson whose luscious, versatile vocal has become a central ingredient of his sound on stage and on record. After a baptism of fire in the world of the major labels, Jarrod Dickenson now exists as a fiercely independent artist, a look that suits him well and allows his creativity to follow whatever path it damn well pleases.